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THE BAT IN THE CAVE

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  Unexpected events make the hidden visible, often. But; does not make the unknown known. Because the unknown always manages to hide in another way. The reason for this success is largely the perception. The fact that the events are not 'expected' is due to the limited possibilities in the 'expectant' thoughts.   This is one of the qualities of modern life: the limitation of possibilities in our heads. Technological facilities can improve people's abilities and expand their dreams. But the backplane doesn't change. There are roughnesses, indentations, and paths in the backplane. Their positions often do not change, and when they do, they do not move out of the surface. That is why, for all the colors and tones in the spectrum of the modern society, the previous state has been   defined, and the purpose aftermath   is to jump a tone at most, or perhaps a few colors beyond. Of course, the necessity to be within one band of the color of the spectrum is present in
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KLARA AND THE SUN

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Kazuo Ishiguro, winner of the 2017 Nobel Prize for Literature, British author of Japanese descent. Previously; I read the novel "Never Let Me Go" [1], which tells about the friendships, and loves of the young people who were "designed" to "complete" themselves by giving their organs. These young people were specially trained for the organ needs of 'people' and receiving a good education. They were starting to the ‘working life’ first by taking care of the donating friends. Then they were 'completing' themselves, by donating their own organs. I also read  his novel entitled "An Artist of the Floating World" [2], which is on the social change in post-war Japan. The opinion hidden within the text is that the person cannot escape the guiltiness if he/she committed the crime of not reacting   towards the mistakes and / or supporting them. But; 'Never Let Me Go', and the one published this year 'Klara and the Sun' [3]  a
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