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KLARA AND THE SUN

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Kazuo Ishiguro, winner of the 2017 Nobel Prize for Literature, British author of Japanese descent. Previously; I read the novel "Never Let Me Go" [1], which tells about the friendships, and loves of the young people who were "designed" to "complete" themselves by giving their organs. These young people were specially trained for the organ needs of 'people' and receiving a good education. They were starting to the ‘working life’ first by taking care of the donating friends. Then they were 'completing' themselves, by donating their own organs. I also read  his novel entitled "An Artist of the Floating World" [2], which is on the social change in post-war Japan. The opinion hidden within the text is that the person cannot escape the guiltiness if he/she committed the crime of not reacting   towards the mistakes and / or supporting them. But; 'Never Let Me Go', and the one published this year 'Klara and the Sun' [3]  a

LINEAR ILLUSION AND SEARCHING THE TRUTH

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What are the factors, excluding time, on which the destination location by time depends? What is the reason why we perceive time as never passed when the position remained the same, but as quickly past when it is very different? Is increased mobility accelerating time? Is the  'speed', the distinction between the old and the contemporary? On the other hand, in either case, the 'conteporary', looking back from the 'end' position, which is more or less different from the beginning, says that time passes very quickly. If time passing 'like a wind' is a perception valid both for those who are constantly in the same place and who move  a lot, shouldn't there  be a concept beyond time? Speed ​​involves a magnitude other than time, the 'path'. The path travelled  is the change in location. For a person who does not move, the fact that the days do not pass (0 / ∞) or  do pass very quickly (0/0) indicates the mathematical uncertainty or meaninglessnes

THE BAT IN THE CAVE

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  Unexpected events make the hidden visible, often. But; does not make the unknown known. Because the unknown always manages to hide in another way. The reason for this success is largely the perception. The fact that the events are not 'expected' is due to the limited possibilities in the 'expectant' thoughts.   This is one of the qualities of modern life: the limitation of possibilities in our heads. Technological facilities can improve people's abilities and expand their dreams. But the backplane doesn't change. There are roughnesses, indentations, and paths in the backplane. Their positions often do not change, and when they do, they do not move out of the surface. That is why, for all the colors and tones in the spectrum of the modern society, the previous state has been   defined, and the purpose aftermath   is to jump a tone at most, or perhaps a few colors beyond. Of course, the necessity to be within one band of the color of the spectrum is present in

TIME IN 2020

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  Starting from the end of 2019, Nicolas Gisin's works [1-4] including a mathematical explanation of the fact that classical physics is not deterministic establish the concept that time is not an illusion. Yes, time goes by. There is a 'present ' and it is like a viscous liquid which is almost impossible to be cut into pieces. The theory that supports this view is interpreted as the most important developments in physics in 2020, after the studies of black holes and the creation of a material with superconductivity at ambient temperature (but at the pressure equal to that of the center of the supply) [5]. Gisin identifies the debate whether scientific theories limit human knowledge with the question of whether there are physical variables hidden by essence forever [3]. He says that real numbers are not physically real and they are the hidden variables of classical physics, and since the infinite number of digits of these numbers have the feature of randomness (See definitio